Stylish retro and subtle surre in the pictures
The brighter and more diverse the work, the more interesting it is. Following this rule, German artist Catherine Welz-Stein (Catrin Welz-Stein) combines incompatible things. Her works are an amazing symbiosis…

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Sergey Zaryanko and his “living” portraits: As a boy from the serfs, became the favorite artist of the royal family
The nineteenth century was truly golden in the art of Russia - not least because talented artists were valued and supported - both in the halls of educational institutions and…

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For what artist Ayami Kojima created the "aesthetics of vampires," and what came of it
Ominous corridors, eerie locks, skeletons and cracked skulls, and among them - with a bouquet of roses, porcelain skin and golden curls. But do not flatter yourself - these tender…

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Who were the humble and horny who inspired and posed for Gustav Klimt

In the life of the famous Austrian artist, there were hundreds of women: the rich wives of the Viennese elite and the poor prostitutes, friends for many years and random. He is credited with 40 nonmarital children. Each canvas of the innovator of painting is saturated with thick and powerful eroticism. In all the pictures – only women. He wrote his favorite models many times. However, the only relationship that he carried throughout his life was most likely platonic. He painted this woman only twice, and she truly hated her portraits by the great Klimt.

Gustav Klimt basically did not write self-portraits. He considered his appearance unremarkable and not worthy of his own brush. And indeed, photographs of the beginning of the 20th century convey to us an image of a not very interesting, albeit slightly eccentric man. Despite this, there were legends about his many novels in Vienna. As a true artist, Klimt fell in love with almost every model and knew how to achieve reciprocity. Virtually any of his paintings is a story, if not love, then an undoubted desire.

The early period of the artist’s work is distinguished by the almost photographic accuracy of the figures on the canvases. A gallery of works written in a classical manner made it popular, but over time, it seems, such a painting bored the master.

Over time, it is more and more captures the modern style, and with it the pictures are becoming more frank and outrageous. In 1898, the capital of Austria literally exploded with delight and horror. Under the leadership of Gustav Klimt, the first exhibition of the Vienna Secession was held – an independent association of artists who broke with the traditional style of painting. Klimt himself exhibited “Philosophy” – one of three allegorical paintings ordered to him for the design of the University of Vienna.

The response to the picture was a perturbed letter from 87 professors in which they decried this “pornographic” painting and demanded to take the order from Klimt. However, the artist, who received economic freedom through a series of portraits of wives of wealthy patrons, in the future writes only what he wants. This series of “ceremonial canvases,” although it is notable for modesty, still carries the stamp of incredible admiration for female beauty.

The ladies in his portraits did not become incredible beauties, the artist never departed from his photographic accuracy, but acquired some elusive scent of the female essence, which made Klimt so popular. No wonder that the queue of customers in his workshop has never dried up. However, the master continues to shock the audience. The next shocking work is “Naked Truth” – a vulgar and sensual, written clearly not with a noble matron.

The public once again exploded. The artist was offered to judge, expel from the country and castrate. It is known that at his regular exhibition, the famous collector, Count Laskoronsky, holding his head, repeated several times “What a horror”. The master himself, in response, wrote a canvas called “My critics.” Part of the body in the foreground does not need comments. Later, the picture gave a more modest name “Golden Fish”.

It is believed that many of his models were prostitutes, so the poses of women in the paintings are so natural-frank. The memoirs of contemporaries about how an eccentric artist in his workshop created a real eastern serall have been preserved. The room was free to go, chatted or lay a few naked models, and the master himself in ancient Greek chiton and sandals worked on the canvas. Sometimes he shouted to some model “Freeze!” And quickly made a sketch. Several thousand such sketches have been preserved.

The wife of a rich entrepreneur Ferdinand Bloch-Bauer was described by contemporaries as follows:
“… Constantly suffering from a headache, smoking like a locomotive, terribly gentle and languid. Soulful, self-satisfied and elegant. ”

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