The brighter and more diverse the work, the more interesting it is. Following this rule, German artist Catherine Welz-Stein (Catrin Welz-Stein) combines incompatible things. Her works are an amazing symbiosis of children’s fairy tales, mysteriously mystical short stories, old illustrations, time-battered photographs and postcards found by chance somewhere in the attic, and, perhaps, at the flea market.
Apparently, Catherine decided not to adhere to a definite answer “yes” or “no” to a number of questions that often interest not only the viewer, but also the artist himself. Continue reading